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The Great Erasure: Moors, Jacobites, and the Whitewashing of the West - Part 2
CARBON PRESS
KNOWLEDGE
A PLATFORM FOR IDEAS
A STANDARD FOR DISCOURSE
THURSDAY, 1st JULY, 2026
W
The Intellectual and Civilizational Reality
became the scientific and structural powerhouse of the known world [Walker 2012].
•Infrastructure: While London and Paris were muddy, unlit settlements without waste management, Cordova featured paved streets, public indoor plumbing, and miles of synchronized street lighting.
•Education: The Moors established 17 universities across cities like Seville, Toledo, and Granada. Public education was universal. The university libraries of Cordova alone housed over 400,000 cataloged manuscripts at a time when the largest Christian libraries struggled to collect a few hundred texts.
The entire European Renaissance was not an organic, spontaneous reawakening of Greco-Roman thought; it was sparked directly by European scholars traveling to Moorish Spain to translate Arabic texts on mathematics, algebra, astronomy, optics, and medicine back into Latin [Sertima 1992, Walker 2012].
• The Pucci Family of Florence: One of the most powerful political families of Italy featured three prominent Moor's heads on their official crest.
•The Bishopric of Freising (Germany): The official coat of arms for the Pope's ancestral Bavarian district features the crowned profile of a black African man, a symbol used continuously since the 13th century.
•The Kingdom of Sardinia and Corsica: Their official national flags and crests still bear the heads of Moorish kings to this day.
VII. The Royal Deception: Pre-Cromwell Stuarts and the "Black Boy"
The central axis of the historical cover-up targets the physical identity of the House of Stuart—the royal family that ruled Scotland and later unified the crowns of England, Ireland, and Scotland.
David MacRitchie’s Descriptions of the Stuart Kings
In Volume II of Ancient and Modern Britons (1884), David MacRitchie reviewed the unedited contemporary descriptions, parliamentary warrants, and legal tokens of the Stuart monarchs, completely exposing the retroactive whitewashing of their portraits during the eighteenth and nineteenth centuries.
The Whitewashing of the Noble Record
•Contemporary 17th-Century Data: King Charles II is universally nicknamed "The Black Boy" by his subjects. His mother describes him as an "extremely black, swarthy baby." Parliamentary escape notices hunt a "tall man with a complexion extremely black." The word Stuart comes from the old nordish root Svart which means black. Stuart is the same word as Swarthy, which means black in old English.
V. The Wildmen vs. The Moors Tapestry: A Stunning Role Reversal
If you want the ultimate, unvarnished visual proof of how medieval Europeans viewed the hierarchy of civilization and race before the invention of modern racism, you must look at The Wild Men and Moors Tapestry (circa. 1440), currently housed in the Historisches Museum Basel in Switzerland.
In later European folklore, the Woodwose or Wildman was transformed into a mythical, hairy forest creature or sasquatch-like figure. But this 15th-century tapestry displays the raw, historical reality of Central Europe.
•The Civilized Defenders: The kings, queens, princesses, and heavily armed soldiers defending the highly advanced, fortified stone castle are unmistakably depicted as dark-skinned black Africans (Moors), wearing refined, elegant garments and noble headbands.
•The "Wild" Attackers: The forces trying to breach the castle gates are giant, unkempt, light-skinned white men, completely naked except for leaves, moss, or thick matted body hair, attacking civilized society with basic sticks, clubs, and stones.
This artifact proves that in the 1400s, Central Europeans actively recorded a reality where black African populations represented the peak of urban, fortified civilization, architecture, and technology, while the indigenous white populations of the European hinterlands were viewed as the uncultivated, primitive "wildmen" of the earth.
Wild Men and Moors Linen and Wool Slit Tapestry Germany (c. 1431)
hile Christian Europe was mired in the literacy vacuums of the Dark Ages—where up to 99% of the population, including royalty, was completely illiterate—Moorish Iberia (Al-Andalus)
Moorish Noble Heraldry | note: white Headbands re-occurring
As Ivan Van Sertima documents in Golden Age of the Moor (1992), "When Oliver Cromwell launched the English Civil War and passed the Act for the Settlement of Ireland in 1652, his strategic objective was to strip the ancient, dark-skinned, land-owning aristocracy of their socio-economic power, seizing their castles and estates." Following the royalist defeats, tens of thousands of elite Scottish and Irish supporters of the Stuart line—the true, dark-skinned Shakur nobility—were stripped of their titles and forcibly packed onto slave ships.
Dr. Marie Charles analyzes this specific displacement in her peer-reviewed paper Decolonizing the Curriculum: Who Were the Ancient Europeans? (Journal of Black Studies, 2022), stating, "The thousands of Jacobites and Royalists deported by Cromwell to Barbados, Jamaica, and Virginia were the literal dark-skinned elite of the British Isles. Modern colonial textbooks intentionally categorize these political exiles as 'poor white indentured servants' to hide their noble, melanated lineage and ensure they could never reclaim their ancestral property."
The Cromwellian and Hanoverian Exile
• 1652: The Act for the Settlement of Ireland is passed. Thousands of dark-skinned Stuart loyalists and Moorish noble houses are stripped of their lands and deported to the Caribbean.
• 1746: The Battle of Culloden marks the final military defeat of the Jacobite clans fighting to restore the line of King James.
• Post-1746: The Highland Clearances begin. Clans are violently evicted from their ancestral Muirs; the exiled noble bloodlines are systematically relabeled in history books as "poor whites."
The Battle of Culloden and the Highland Clearances
The final stand of this old, melanated network occurred during the Jacobite Rising of 1745. The Highland clans marched south to overthrow the German House of Hanover and restore King James II’s rightful heir, Charles Edward Stuart ("Bonnie Prince Charlie," grandson of the "Black Boy" Charles II), to the throne - [MacRitchie 1884].
On 16 April 1746, at the Battle of Culloden near Inverness, Scotland, the Jacobite forces were decisively defeated by the Hanoverian government army. The aftermath of this defeat was a highly calculated, state-sponsored campaign of total cultural and physical erasure:
1. The Act of Proscription (1746): The British Parliament made it a criminal offense to speak Gaelic, wear traditional Highland tartan, or play the bagpipes, systematically dismantling the cultural expressions of the old clans [UK Parliamentary Records].
2. The Highland Clearances: Landlords violently evicted entire families from their ancestral Muirs. Their homes were burned, their lands were converted into corporate sheep pastures, and the physical population was scattered across the globe via forced migration to Canada, Australia, and the Americas - [MacRitchie 1884].
VI. Saint Maurice and the Heraldic Record
(Pictured Above - Main Image)
One of the most powerful, highly documented, and heavily suppressed figures of elite European history is Saint Maurice or (San Maurizio). According to historical records, Maurice was a 3rd-century Roman military commander from the Theban Legion in Egypt—an elite unit composed entirely of African Christians.
•The Architectural Reality: Maurice was adopted as the official Patron Saint of the Holy Roman Empire and Germany. In 1250 CE, a magnificent, hyper-realistic sandstone statue of Saint Maurice was erected inside the Magdeburg Cathedral in Germany. The statue portrays him in full contemporary knightly chainmail armor, carved with explicit, undeniable black African facial features, dark skin, and tightly coiled hair. For centuries, the highest imperial ruling houses of Germany, Austria, and Bohemia used Saint Maurice as their ultimate symbol of military honor, knighthood, and state power. His image was stamped on coins, carved into cathedral altars, and carried on battle flags across Central Europe.
The Heraldic "Moor's Head" (Tête de Maure)
In European heraldry, the highest families of the land registered their lineages using specific symbolic markers. Hundreds of aristocratic families across Germany, the Netherlands, France, and Italy feature the unambiguous profile of a black African man or woman—complete with crown, jewels, and noble headbands—directly on their official family crests.
•Victorian 19th-Century Re-Write: Court portraits are systematically over-painted with lighter pigments. The nickname "The Black Boy" is retroactively re-explained as a metaphorical reference to his "dark, brooding mood" or "melancholic personality."
MacRitchie exposed this systematic fraud by analyzing the un-edited historical record, writing, "King Charles II was universally known by his contemporary subjects as 'The Black Boy.' His own mother, Queen Henrietta Maria, wrote a letter explicitly describing him at birth as so dark and swarthy that she was ashamed of him, stating he looked like a 'black baby'."
King Charles II - 'The Black Boy'
IX. The Mechanics of the Historic Cover-Up
The structural erasure of the Moorish and Jacobite identity follows the exact same operational playbook used to hide the black African foundations of Ancient Egypt [Sertima 1992]. As independent research platforms like Without History and The King’s Monologue demonstrate through architectural and scriptural analysis, the deception was executed through a standardized three-step process:
•Linguistic Re-Translation: Eighteenth-century grammarians systematically re-defined old Gaelic and Latin words. When they encountered manuscripts describing the Shakur or Mauri holding royal power, they retroactively altered the translations to mean "outlaws" or "dark, brooding moods" rather than literal physical descriptions of skin tone [Charles 2022].
•Portrait Over-Painting: Renaissance court painters literally repainted the surviving portraits of the Stuart era, altering facial features and using lighter pigments to artificially match the changing racial definitions of ruling power - [Walker 2012].
• Folklore Transmutation: Real, historical black nobles and clan leaders who built Europe's early castles were omitted from textbooks, while their visual records in cathedrals—such as the Temple Church in London—were either hidden or dismissed as fictional "anomalies" or mythical folklore monsters like the hairy woodwose [Without History].
When you strip away the fabricated Victorian curriculum and examine the unedited primary sources, the connection is indisputable: the Moors and the Jacobites were the foundational, highly advanced, dark-skinned nobility that engineered European civilization and fought to defend its ancestral crowns and territories from total historic erasure.
Kemetic 'Medjay' | note: White Headbands
Furthermore, following the Battle of Worcester on 3 September 1651, the English Parliament issued official hue-and-cry escape notices to hunt down the exiled monarch. The UK National Archives (State Papers Domestic, SP 29/42) preserve the exact physical description broadcasted to the public: "A tall man, above two yards high, his hair a deep brown, near to black, and his complexion extremely black (swarthy)."
To hide this physical reality, later Eurocentric court painters systematically repainted the royal portraits, altering facial features and using lighter pigments [Walker 2012]. This physical profile belonged equally to his father, King Charles I, and his brother, King James II—the very king from whom the Jacobite movement took its name.
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VIII. The Jacobite Resistance, the Cromwellian Exile, and the Great Dispersal
The conflict that culminated in the Jacobite Risings was not a mere dispute over royal succession; it was an existential war to defend this melanated, land-owning aristocracy from total displacement by Anglo-Saxon Eurocentric factions [Charles 2022, Walker 2006]. This campaign of ethnic cleansing began during the mid-seventeenth century under Oliver Cromwell.
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